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Notes - Page 63

8 Ron Sakolsky and James Koehnline, eds., Gone to Croatan: Origins of North American Dropout Culture (Brooklyn/Edinburgh: Autonomedia/AK Press, 1993).

9 On this "stain of the real" and its return, see Slavoj Zizek, Looking Awry: An Introduction to Jacques Lacan through Popular Culture (Cambridge, MA: MIT Press, 1991), 39-44.

10 Amok, Fourth Dispatch , PO Box 861867, Terminal Annex, Los Angeles, CA 90086-1867; Loompanics Unlimited, PO Box 1197, Port Townsend, WA 98368.

11 For a consideration of means to disturb this control, see Critical Art Ensemble, The Electronic Disturbance (Brooklyn: Autonomedia, 1994).

12 Francis Crick, Terence McKenna, William Burroughs and Brion Gysin, interview in Re/Search 3, any given issue of Mondo 2000, Durk Pearson and Sandy Shaw.

13 Louis Kaplan, ed., The Damned Universe of Charles Fort (Brooklyn: Autonomedia, 1993), 79. Further citations from this book appear in the text.

14 The distinction between nature and culture is so dominant in cultural criticism that one can bank on the fact that it is about to be overturned. It is probably only a matter of minutes before that absolute staple of gender criticism--that gender is strictly a matter of culture, not nature--gives way to a naturalism entirely unlike anything gender criticism ever predicted, and still the return of the same.

15 As it used to be said, the real "counter" in counter-culture is the counter in the record store, on which you place the same money, to buy virtually the same commodities.

16 Kenneth Dean and Brian Massumi, First and Last Emperors: The Absolute State and the Body of the Despot (Brooklyn: Autonomedia, 1993), 137-41.

17 On Dobbs, see The SubGenius Foundation, The Book of the SubGenius, (New York: Simon and Schuster, 1983); or join up yourself, by writing to the Foundation, if it still exists, at P.O. Box 140306, Dallas, TX  75214.

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