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STUPID UNDERGROUNDS - MANN masocritically, as critical observer, that will make a mockery of a critical distance that still claims to possess its object, its other. As this distance collapsed in contact with the stupid underground, so here we are left entirely behind; and it is this constitutive loss that we desire most of all. Worse and more seductive than the angry contempt of the punk is his no-show at a later date, once performance no longer interests him, once he conceives recuperation and its stupid parodies more severely, once he cedes his critical intelligence and offers us absolutely nothing. In not appearing he thereby restages his appearance as the Thing, if you will, the strange attractor of a now luminously empty Real, the ruinous telos of our critical game, a perfect lure for the exposure of our symptomatology, a frustrating goad that draws out the humanist's humiliating aggression, a truth that is true so long as it fails to appear, and even if it did appear, even if it were possible to track it down and drag it out into the light, could only fail us and give way to another. What we ourselves stage here is a certain paranoic autoaggression, the disaster of discourse, a speech act on one hand calling into being the exteriority of discourse and on the other sealing it off from our own intrusion. A ghostly other who remains other and eternally returns by never appearing. The inaudible and commanding echo of discourse's repellant law. Let us claim this secret other as our founding secret, a passage to which none of us holds the key because we ourselves destroyed it long before we ever conceived the door.
Scenewash Kiosk |
Lobbies |
Marginalia |
Luxmachina |
Rhesus It is |