STUPID UNDERGROUNDS - MANN
One might be used to the leaping and screaming frenzy of rock concerts, but unless one has experienced, at the same time that one experiences its destructive frenzy, the utterly euphoric, calming, peaceful effect that electric music at extreme volume can produce, one cannot grasp the possibility that it might fall into this category. What is merely social, the stupidest string of pop signifiers, becomes intensely material, becomes an exaggerated idiocy, a sub-ideological cocoon, a tear in the fabric of the social world within which it might still be possible to endure it, if one can endure the volume itself. What we must ask, then, is whether, at its most intense, loud is a thought.27
 Best of all, furthest along its trajectory, is "zerowork," the refusal to work, the refusal to bid for equal alienation, disappearing from the tax rolls, from the very category of the unemployed.28 But how then to survive? By hook and crook, and the stupid underground is rife with pipedreams and proven scams. Loompanics Press offers the libertarian illusion, at least, that one can get by in the American economy without ever having to hold a job, and they'll send you info on how-to (theft, phony credit, welfare scams, scrounging freebies, various black market economies). Or maybe you'll try dealing drugs (too many down sides). Or being in a band, the archetypal boy-dream of play as work (as it turns out, too many down sides as well: venal managers, if you can even get one, larcenous promoters, an overpopulated market, weird compromises with industry and stupid audiences, and, after all, too much work). Not working isn't easy, no matter how hard you work at it. Hence, as has always been the case for the underground, the phenomenon of the day job. A perfect epitome of stupid.
 In a slightly older bohemia, the artist's dream: uninterrupted time for the real work. Or rather, what came to be seen as the real work, that painting or writing which was by force an avocation in a world where one was slave to the day job. Each day demanded the most intense struggle to steal or conserve time from the world of the job for yourself, your spirit, your art. You came home from the shop or office exhausted, gulped down some dinner, fought off fatigue and drove yourself to canvas or clay or rehearsal or page